Manuel Barreiro “Paparolo” develops an artistic practice focused on the transformation of matter and the construction of three-dimensional forms that are sustained by their own internal logic. His work stems from a long-standing technical and experimental investigation into high-fired ceramic materials, understood as an active field for formal and conceptual exploration.

His work revolves around concepts such as (re)generation, understood as a circular, self-sufficient sculptural process linked to the continuous transformation of matter, and the predetermination of living forms, an idea he explores through the formal development of his sculptures. From this perspective, he approaches tension, movement and organicity as structural principles, creating enclosed volumes that emerge into space through their own constructive extensions.

His interest in process leads him to integrate technical control and intuition, incorporating chance, error and the material’s unforeseen responses as fundamental elements of his work. Although his sculptures may involve repetitive procedures and modular structures, each piece is conceived as a unique work, with a distinct and independent character.

Throughout his career, he has held several solo exhibitions, the most recent being Arquitecturas Corporales (Galería Metro, Santiago de Compostela, 2025), and has participated in numerous group exhibitions at venues such as Galería Trinta, Museo do Pobo Galego, Casa da Parra and Afundación Abanca. His work has also been presented at art fairs such as ArtMadrid and Ceramic Brussels. Most recently, he received First Prize at the 17th International Ceramics Biennial of Manises (2026).

His work is represented in public and institutional collections, including the Manises Museum of Ceramics, the Xunta de Galicia, the Auditorio de Galicia, the Concello de O Grove, the Consortium of Santiago de Compostela, Banco Occidental de Santiago and the University of Santiago de Compostela, as well as in private collections.